If Mr. Gereth's mother smiled in response to this, Fleda knew that her smile was a tacit criticism of such a form of reference to her son. Fleda habitually spoke of him as Mr. Owen, and it was a part of her present vigilance to appear to have relinquished that right. Mrs. Gereth's manner confirmed a certain impression of her pretending to more than she felt; her very first words had conveyed it, and it reminded Fleda of the conscious courage with which, weeks before, the lady had met her visitor's first startled stare at the clustered spoils of Poynton. It was her practice to take immensely for granted whatever she wished. "Oh, if you'll answer for him, it will do quite as well!" she said. Then she put her hands on the girl's shoulders and held them at arm's length, as if to shake them a little, while in the depths of her shining eyes Fleda discovered something obscure and unquiet. "You bad, false thing, why didn't you tell me?" Her tone softened her harshness, and her visitor had never had such a sense of her indulgence. Mrs. Gereth could show patience; it was a part of the general bribe, but it was also like the handing in of a heavy bill before which Fleda could only fumble in a penniless pocket. "You must perfectly have known at Ricks, and yet you practically denied it. That's why I call you bad and false!" It was apparently also why she again almost roughly kissed her. Again the good lady looked hard at her young hostess. "I came, I believe, Fleda, just, you know, to plead with you."!

Fleda had fully recognized, the first days, that, quite apart from any question of letting Owen know where she was, it would be a charity to give him some sign: it would be weak, it would be ugly, to be diverted from that kindness by the fact that Mrs. Gereth had attached a tinkling bell to it. A frank relation with him was only superficially discredited: she ought for his own sake to send him a word of cheer. So she repeatedly reasoned, but she as repeatedly delayed performance: if her general plan had been to be as still as a mouse, an interview like the interview at Ricks would be an odd contribution to that ideal. Therefore with a confused preference of practice to theory she let the days go by; she felt that nothing was so imperative as the gain of precious time. She shouldn't be able to stay with her father forever, but she might now reap the benefit of having married her sister. Maggie's union had been built up round a small spare room. Concealed in this apartment she might try to paint again, and abetted by the grateful Maggie—for Maggie at least was grateful—she might try to dispose of her work. She had not indeed struggled with a brush since her visit to Waterbath, where the sight of the family splotches had put her immensely on her guard. Poynton moreover had been an impossible place for producing; no active art could flourish there but a Buddhistic contemplation. It had stripped its mistress clean of all feeble accomplishments; her hands were imbrued neither with ink nor with water-color. Close to Fleda's present abode was the little shop of a man who mounted and framed pictures and desolately dealt in artists' materials. She sometimes paused before it to look at a couple of shy experiments for which its dull window constituted publicity, small studies placed there for sale and full of warning to a young lady without fortune and without talent. Some such young lady had brought them forth in sorrow; some such young lady, to see if they had been snapped up, had passed and repassed as helplessly as she herself was doing. They never had been, they never would be, snapped up; yet they were quite above the actual attainment of some other young ladies. It was a matter of discipline with Fleda to take an occasional lesson from them; besides which, when she now quitted the house, she had to look for reasons after she was out. The only place to find them was in the shop-windows. They made her feel like a servant-girl taking her "afternoon," but that didn't signify: perhaps some day she would resemble such a person still more closely. This continued a fortnight, at the end of which the feeling was suddenly dissipated. She had stopped as usual in the presence of the little pictures; then, as she turned away, she had found herself face to face with Owen Gereth. Fleda was mystified. "People surely knew at Poynton," she objected, "if, as you say, she's there."

"That's another matter: they'd bear it if I could. There won't have been, this time either, a shake or a scratch. But I'm too tired—I very nearly don't care." There had been in the first place the exquisite old house itself, early Jacobean, supreme in every part: it was a provocation, an inspiration, a matchless canvas for the picture. Then there had been her husband's sympathy and generosity, his knowledge and love, their perfect accord and beautiful life together, twenty-six years of planning and seeking, a long, sunny harvest of taste and curiosity. Lastly, she never denied, there had been her personal gift, the genius, the passion, the patience of the collector—a patience, an almost infernal cunning, that had enabled her to do it all with a limited command of money. There wouldn't have been money enough for any one else, she said with pride, but there had been money enough for her. They had saved on lots of things in life, and there were lots of things they hadn't had, but they had had in every corner of Europe their swing among the Jews. It was fascinating to poor Fleda, who hadn't a penny in the world nor anything nice at home, and whose only treasure was her subtle mind, to hear this genuine English lady, fresh and fair, young in the fifties, declare with gayety and conviction that she was herself the greatest Jew who had ever tracked a victim. Fleda, with her mother dead, hadn't so much even as a home, and her nearest chance of one was that there was some appearance her sister would become engaged to a curate whose eldest brother was supposed to have property and would perhaps allow him something. Her father paid some of her bills, but he didn't like her to live with him; and she had lately, in Paris, with several hundred other young women, spent a year in a studio, arming herself for the battle of life by a course with an impressionist painter. She was determined to work, but her impressions, or somebody's else, were as yet her only material. Mrs. Gereth had told her she liked her because she had an extraordinary flair; but under the circumstances a flair was a questionable boon: in the dry places in which she had mainly moved she could have borne a chronic catarrh. She was constantly summoned to Cadogan Place, and before the month was out was kept to stay, to pay a visit of which the end, it was agreed, should have nothing to do with the beginning. She had a sense, partly exultant and partly alarmed, of having quickly become necessary to her imperious friend, who indeed gave a reason quite sufficient for it in telling her there was nobody else who understood. From Mrs. Gereth there was in these days an immense deal to understand, though it might be freely summed up in the circumstance that she was wretched. She told Fleda that she couldn't completely know why till she should have seen the things at Poynton. Fleda could perfectly grasp this connection, which was exactly one of the matters that, in their inner mystery, were a blank to everybody else. To Fleda, in the face of the event, it appeared that this was exactly what they were not: the last inch of common ground, the ground of their past intercourse, had fallen from under them. Yet what was still there was the grand style of her companion's treatment of her. Mrs. Gereth couldn't stand upon small questions, couldn't, in conduct, make small differences. "You're magnificent!" her young friend exclaimed. "There's a rare greatness in your generosity."